Lightly edited excerpts
It’s a perfect image for our insane and ugly age: an overweight gender-fluid Black woman in a Wu-Flu mask pressing her head in worship against a giant mural of George Floyd at the site of his martyrdom in Minneapolis. The martyr is ugly, the mural is ugly and the mourner is ugly.
In its ugliness, the image confirms once again the words of the great Catholic writer Hilaire Belloc (1870-1953):
[T]here is (as the greatest of the ancient Greeks discovered) a certain indissoluble Trinity of Truth, Beauty and Goodness. You cannot deny or attack one of these three without at the same time denying or attacking both the others. Therefore with the advance of this new and terrible enemy against the Faith and all that civilization which the Faith produces, there is coming not only a contempt for beauty but a hatred of it; and immediately upon the heels of this there appears a contempt and hatred for virtue. (Belloc, The Great Heresies (1938), ch. 6, “The Modern Phase”)
Leftists do indeed hate beauty, which is why ugliness is the most obvious feature of leftism and its art, culture and acolytes. But, as Belloc explained, leftists can’t hate beauty without also hating truth and goodness, which is why they flocked so eagerly into the martyr-cult of George Floyd. He was an ugly Black criminal who killed himself with lies: he first tried to pass fake money to an Asian shopkeeper, then to conceal his possession of drugs when the police were called.
In life, Floyd was at war with Truth, Beauty and Goodness; in death, he became a leftist icon not despite his ugliness and criminality, but because of them. Leftism is powered by its contradictions, not weakened. It insists that “Black is White” in all senses, portraying violent Black criminals as saintly victims and civilized law-abiding Whites as murderous oppressors.
This inversion of reality has sent the murder-rate soaring among young Black men in America, as leftists perform their usual trick of most harming those they claim to be most helping. But in reality leftists don’t want to help Blacks: they want to harm Whites.
George Floyd is best seen not as an icon of Blackness, but as an icon of anti-Whiteness. From his dark skin and thick lips to his low intelligence and immorality, the destructive and criminal Floyd is the antithesis of a creative and law-abiding White.
He represents Black savagery against White civilization.
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In Sweden the Jewish sociologist Jerzy Sarnecki does his best to deny that Somalis and other immigrants form the “vast majority” of gang-rapists. Sarnecki is very well-suited to serve as a high-priest in the lying leftist Cult of Ugly, because he has an ugly and unappealing punim (Yiddish for “face”). As Chateau Heartiste so often pointed out: “Physiognomy is real.”
Take a look at the ugly Jewish sociologist Jerzy Sarnecki, who “prominently features in the Swedish media as an expert on all things crime-related.”
It isn’t coincidental that Sarnecki is both Jewish and ugly. He’s “Jugly”, as you might say: that is, he’s ugly in a characteristically Jewish way.
I agree with a fascinating article at National Vanguard arguing that “Jews themselves are an unattractive and, on average, ugly people” and that “Jews, as a group, oppose beauty.”
Indeed, as Kevin MacDonald has noted, the Talmud advises Jews not to regard physical beauty as important in marriage: “For ‘false is grace and beauty is vain.’ Pay regard to good breeding, for the object of marriage is to have children” (Taanith 26b and 31a).
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Jews oppose beauty in all parts of life – art, music and architecture, for example. At the Occidental Observer Brenton Sanderson has examined the anti-art of Mark Rothko (1903-70) and Jewish attempts to uglify the operas of Wagner. The acclaimed Jewish painter Lucian Freud (1922-2011), (pictured here), grandson of the ideological uglifier Sigmund Freud and brother of the sex-criminal Clement Freud, spent a long career putting ugly bodies onto canvas.
The ugly art of Jewish painter Lucian Freud
Here is another of this degenerate artist’s ugly paintings,
described by one art critic as “poignantly beautiful“.
Ugly faces, ugly brains.
Steve Sailer has noted that Antifa “tend to be ugly people with bad teeth and even worse taste in grooming.” The Cult of Ugly has ugly acolytes, just as one would expect. But two interesting questions arise here. What is the exact relationship between ugly faces and ugly ideology? And why are Jews and leftists “on average, ugly people”?
If you consider that ugliness is a matter of asymmetry and ill-proportion, it would follow that there is some correlation between an ugly face and an “ugly” brain. The same biological factors – disease, inbreeding and harmful mutations – that distort the geometry of faces will also distort the geometry of the brain.
The faces of Antifa supporters are generally ugly.
Here are some mugshots of Antifa troublemakers from Portland, Oregon.
None would stand any chance in a beauty competition. (Ed.)
That’s why “physiognomy is real”: faces do say something about the brains that lie behind them and, therefore, about personality and behaviour.
The correlation isn’t perfect, of course, but it’s strong enough to be useful and it’s clearly relevant to the ugly acolytes of ugly leftism.
As for Jews and the ugliness of both their punims and their brains, note the studies that have identified marked inbreeding and higher rates of mental illness among Jews. For example, “Rabbis Eric Weiss and Nathaniel Ezray have said that ‘mental illness is a Jewish issue’ and point to the findings of geneticists at John Hopkins University who have identified a high incidence of schizophrenia and bipolar disorder among Ashkenazi Jews. Many suffer from an autosomal recessive trait that goes back thousands of years and which manifests as congenital lying, delusional behaviour and paranoia.”
This would certainly explain why Jews have, down the centuries, so often come into conflict with their gentile neighbours and been expelled from gentile lands.
Ugly Jewish brains have consistently created ugly ideologies that war on the “indissoluble Trinity of Truth, Beauty and Goodness.” Jewish communism promised prosperity, peace and equality, but delivered slavery, slaughter and ecological devastation. Jewish psychoanalysis did sterling work on behalf of lies, ugliness and immorality, and is now a prime ingredient in the poisonous stew of Critical Race Theory (CRT) and the Transgender-Industrial Complex, where “Jugly” and immoral Jews are once again massively over-represented.
Ugly Jewess becomes beautiful shiksa: Ruth Bader Ginsburg was played by Felicity Jones
But even as they wage war on Whiteness, Jews accept White beauty as the ideal.
The Jewish writer David Cole has pointed out that the very gentile actress Felicity Jones (beautiful) was chosen to play the very (ugly) Jewish lawyer Ruth Bader Ginsburg in a recent biopic.
The ugly Jewess Ruth Bader Ginsburg (left)
is played by the beautiful White skiksa Felicity Jones (right)
Hollywood didn’t want the ugly truth to appear on screen. The Cult of Ugly cannot bear to look upon its own image. It needs to pretend that Ugly is Beautiful.
Sourced from the Occidental Observer